SDG arts & science foundation
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News
JUL '2017
Art patron Dmitry Volkov became the head of the Board of Trustees of the Volga Region Cultural Capital Foundation
Dmitry Volkov's SDG Arts & Science Foundation is a strategic partner of the Volga-Vyatka branch of the National Centre for Contemporary Arts,
NOV '2016
"Vinogradov and Dubosarsky" book published with SDG Arts & Science Foundation' participation won the X Kandinsky Award
On the 14 of December the results of the X Kandinsky Award were announced. "Vinogradov and Dubosarsky" book by Viktor Miziano published by Pierre Brochet's "Avangard" Publishing House with the SDG Arts & Science Foundation's support became the winner in the "Scientific work. A history and theory of modern art" nomination. Winners in this nomination are awarded with a publication in english and in russian within the BREUS Publishing program.
OCT '2016
The names of the SDG Arts & Science Foundation and the Garage Museum of Contemporary Art grantholders were announced
The Garage Museum of Contemporary Art Expert Board together with the SDG Arts & Science Foundation decided the winners in the "Art and technologies" nomination of the 2016-2017 Museum grant program.
Collection
HEADS
Created in the 1990s, the piece “Heads” is characteristic of Neizvestny’s later work. Here one of the artist’s favourite subjects is presented in various ways: heads that are multiplied and layered on top of each other can also be seen in his most known pieces such as “The Tree of Life” and “The Mask of Sorrow”. Outlined with a thick black line, which gives the painting a stained-glass effect, they are reminiscent of Polyclet and Indian ritual masks; fragmented faces of varying sizes almost fill the entire canvas.
Painter: ERNST NEIZVESTNIY
THE LIMOUSINE
‘Limousine’ is part of ‘Refrain’, Irina Korina’s large project. It is an exhibiting space, where objects invoke a sense of ‘pathetic nonsense’. ‘Refrain’ exposes and captures mass culture constants, which are archetypes of the collective subconscious in large-scale dynamic objects. A limousine, along with other objects of luxury, are placed on top of a long birch tree pole. These are all dreams from the 1990s that we carried before ourselves like banners – limousines, the Courchevel ski resort, yachts, towers – all of these on top of birch trees.
Painter: IRINA KORINA
TATLIN AND BANDURA
During the 80s we were friends with Aleksei Georgievich Sotnikov, a wonderful sculptor and Tatlin's student. Aleksei Georgievich always spoke very fondly of his teacher, and claimed that Tatlin had a better voice than Chaliapin, but unfortunately no recordings remain. When he was young, Tatlin made his own bandura and sang in Paris, impersonating a blind bandura player. My portrait of Tatlin is drawn on an old kitchen board, reminding us of Tatlin’s wooden bandura, which was not preserved…
Painter: IRINA ZATULOVSKAYA
THE PORTER
From the very beginning of his artistic career, the artist was interested in the subject of combining the common with the majestic; he was attracted to the image of a holy fool. The Porter in this sense is a very characteristic piece: a figure that is both crumbling and sturdy. The main formal technique here is the combination of a single “solid” body and small, scattered, breaking off limbs. It seems that it is all about to collapse. It also seems that the protagonist could only maintain this fragile balance by possessing willpower and life energy.
Painter: IVAN GORSHKOV
FROM THE ALDER KING SERIES (DER ERLKÖNIG)
Goethe's Der Erlkönig, the Alder King is the basis of the plot for the series. Here the artist concentrates on the borderline states: object-subject, abstract-concrete, just like the boy who has visions in the state between life and death. The artist is interested in the moment when a tree stump “transforms” into the Alder King, the moment of the mirage appearing. These are sculptures-mirages, where the artist is trying to create an ephemeral spectacle. As to the technique, one can highlight a close union of the most unexpected materials: thoroughly welded iron and rotten tree trunks, filler, fabric, sticky tape, aerosol… All of these layer on top of each other, at times creating an illusion of a natural organic, catastrophic original. A cluster-like sculpture resembling some self-formed “Elemental” of the material world.
Painter: IVAN GORSHKOV
BIRTH OF RUSSIAN AVANT-GARDE
A kinetic art sculpture. At a single pull on the string, the Jack of diamonds-style bear will break into a solo on his Picasso guitar.
Painter: LEONID SOKOV
